Recently one of my three princesses (daughters) e-mailed me excerpts from a diary she kept early in her working career as a graphic designer. Her incredibly detailed (and lengthy) notes prompted an incredibly detailed (and lengthy) answer. To read those excerpts, check out that posting on her blog at http://cindydyer.wordpress.com/2009/03/28/the-year-of-living-detailed-ly/

This is my response to my daughter’s e-mail

Your diary is a great read, and your posting brings back a host of memories for me. I wish I had the discipline necessary to do the diary thing. I believe I’ll start one now by backtracking through the past—it will necessarily be in the “stream of consciousness” vein, and nowhere approaching chronological order because I’ll probably never get the dates accurately sorted out.

Here’s a brief (?) example, a memory that came, unbidden and unexplainable, while I was reading your e-mail. It’s an incident that occurred a couple of years after my mother married my stepfather.

I’ll call the incident:

The tomato tempest

My sister and I, with our mother and our recently acquired stepfather, traveled the 12 miles from Columbus, Mississippi to a farm near Ethelsville, Alabama to visit Papa’s sister, a red-haired wife who had become a widow a few weeks earlier—her husband killed himself. Yep, committed suicide. On a cool fall evening after supper he left his wife and three sons in the house, walked a short distance into the woods and into a ravine near the house (ravines are called hollows and pronounced “hollers” by Alabama country folks) and slashed his throat with a straight razor. His hounds found him early the next morning, and their baying alerted the family. One of his three sons was the first on the scene.

As Papa John explained it, “He damn near cut his head off.” I never knew why my aunt’s husband killed himself. Perhaps no one knew, but he may have done it because Papa’s sister, as long as I knew her, constantly whistled country singer Eddie Arnold’s “Cattle Call” song between her teeth—day and night, at work and at play. It may have been that her husband simply got “mad as hell and couldn’t take it anymore” and took the only way out—not the only way, perhaps, but certainly one of the quickest ways available to him—it may have been a classic case of, “One of us has to go, so it’s either her or me.”

The year would have been around 1942-1943. With the advent of World War II, America was recovering from the Great Depression, but recovery was slower in the South than in other sections of the country (similar to the South’s recovery after the “War Between The States,” known by some as the “Civil War”).

In a more serious vein, the father’s action may reasonably be attributed, at least in part, to the severe economic times. He and his family were share-croppers, tenants eking out a living by sharing the profits from crop returns with the land owner. The land-owner furnished housing, land, seed and farm implements, and extended credit to the family. In return the family did the work of clearing, planting, tending and harvesting the crops. The division of profits was always heavily in the landholder’s favor.

That the larger portion of profits accrued to the land-owner is understandable, but in far too many instances the paltry portion extended to the family, coupled with the family’s dependence on credit for the following year, guaranteed that they could never hope to rise above the share-cropper level.

A share-cropper and his family had a hand-to-mouth existence—they existed on credit until crops were harvested and sold, paid their debts with their share of the profits and promptly began using credit to get through the next growing season. If this seems to reflect a bleak existence with little hope for the future, it’s because the reflection was true—very little hope for the future existed.

I have vivid memories of the house. It sat near the woods a half-mile or so off the paved highway at the end of a winding one-lane dirt road, little more than two ruts between cotton fields. The farmhouse was typical of the time—built on piers, walls of unpainted ship-lap boards, rusting tin roof, a brick chimney, kitchen, dining room, living room and two bedrooms—the living room with the fireplace did double duty as a living room and bedroom.

The living room and two bedrooms were separated from the kitchen and dining room by a “dog-run,” an wide open concourse running from front to rear of the house. Breezes flowing through the dog-run helped cool the home in summer, and provided shelter for the dogs at night and in inclement weather (hence the term “dog-run”). In later years in many of such houses, the dog-run was enclosed to provide additional interior space, either as a wide hallway or for additional rooms or storage space—either way, the change put the dogs at a definite disadvantage. In all my memories, none is of full-grown hounds being allowed into the house, regardless of the weather—they took up far too much space and produced far too many bad odors.

This was my only visit to the farmhouse. My mother took various foodstuffs to the family on that visit, including a small bag of fresh tomatoes, items that would figure prominently in our lives following our one-day excursion to visit the family. We arrived early in the day and stayed until late afternoon. We ate dinner with the family at noon, a meal which included sliced tomatoes. My sister was about 12 years old, some 18 months older than I. She loved sliced tomatoes, and on that day ate perhaps what could be described as “more than her share” of them—however, the plate was repeatedly passed at her request with no admonitions from anyone.

When we left to return home, our route to the paved highway was blocked by a huge pile of brush placed there by my aunt’s youngest child, a boy a bit younger than my 11 years. If I ever knew why he did it I don’t remember the reason, but I do remember Papa’s frustration and his language—he had to clear the path before we could move on. I remember the air in that area turning blue. His language probably stemmed from his intake of alcohol during the day. We were to learn in later years that Papa John was a confirmed alcoholic, a trait that would exist for many years and figure prominently in our future.

Our supper at home that evening included a plate heaped high with sliced tomatoes. Papa John kept passing the tomatoes to my sister, and she cheerfully accepted additional helpings. However, when she had her fill of sliced tomatoes he insisted she take more, telling her that she had insulted him, his sister and his sister’s sons by eating so many at noon, that the tomatoes had been taken there for a grieving family, and should have been theirs. When she stubbornly refused to eat more, he reached across the table and struck her, open-handed, on the left side of her head, a blow that he repeated two more times, inter-spaced with the question, “I told you to eat them!” I remember my mother saying, “No, John, that’s enough, don’t hit her anymore.”

We lived in a two-story colonial style house that, in the early years of World War II, had been converted into several apartments. One of my older sisters lived in the front downstairs unit with her husband and young daughter, a two-year old, and we lived in the downstairs rear unit. Our combination kitchen and dining room opened onto the back porch.

When my older sister heard the commotion she rushed into our kitchen. All of us—my sister, mother, stepfather and I were on our feet when she arrived and charged into our stepfather. Papa John didn’t hit her, but he shoved her violently out the door with so much force that she fell off the porch. Other than minor bruises and injury to her pride, she was not hurt. Her husband wasn’t home at the time, and she returned to her apartment saying that she would tell him everything and he would deal with Papa John later. Our stepfather responded by saying his pistol was “loaded and ready.”

And it was. Papa John kept an Army-issue Colt .45 caliber semi-automatic pistol at his bedside, with a full clip and a round in the chamber, the safety off and the hammer fully cocked. His reasoning for that was to insure that the weapon could be fired quickly in an emergency—to fire it he could simply pick it up, squeeze the hand grips to override the final safety feature, and pull the trigger. He proudly told people that neither my sister nor I would ever touch the weapon—he was blissfully unaware of the many times I handled the Colt, pointing and sighting it at objects and people (including him), having morphed with the weapon in my hand into the Lone Ranger, Tom Mix, Lash LaRue, Don (Red) Barry, Gene Autry, Roy Rogers or any one of the host of Hollywood cowboys so prominent in my boyhood (trust me, I can name ‘em all).

Nothing else ever came of the incident. The end result was a permanent partial loss of hearing and untold psychological damage for my younger sister, and an enduring hatred of Papa John by the older sister he threw out of the kitchen. Later in the evening our stepfather apologized profusely to my younger sister, an apology that included tears—his, not hers. She listened stoically and made no response, nor did I respond, mainly because the apology was not addressed to me—I decided that the less said, the better, a maxim that would characterize and shape my actions far into the future, especially when Papa was involved.  To my knowledge, no apology was ever offered to the sister thrown out of the kitchen.

Okay, so what do you think?

Should I start writing my autobiography/memoirs, entitled something similar to “Memoirs of Mikey” or perhaps “Mike’s Memoirs” or maybe “Confessions of a Step-child”? This is just one incident in one day in a life which at this point has covered some 76 and one-half years. I can conjure up at least 16,900,027 vignettes from those years, all true. Not that truth matters—there is no one alive who can confirm, deny or dispute anything I might say or write concerning the first 19 of those years. For the following 57 years I’ll need to be stick closely to the truth, because your mother and your sisters may disagree with some of my memories.

Just imagine—Oprah might select my book for her reading club, and I would be on her show, and you could come along and photograph the proceedings—oh, and you could also save me a lot of money by producing my literary blockbuster.

Note for readers of this posting (if any):

I’ll leave it up to you, the viewers who blindly stumble onto my blog—should I write my memoirs, with the purpose of publishing a book? Should I consolidate and cement those memories for others to enjoy, or should I be selfish and keep them all to myself?

If you respond, I have only one request:

Be honest, but be gentle!