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Daily Archives: February 10, 2010

An historic event? Oh, puhleeze!

An historic event?

Oh, puhleeze!

During the recent and still continuing snowfalls across the country, talking heads on television, weather forecasters in particular, have repeatedly characterized and continue to characterize snowstorms and snowfalls as an historic storm and an historical snowfall.

During the recent and still continuing snowfalls across the country, talking heads on television, weather forecasters in particular, have repeatedly characterized and continue to characteriz snowstorms and snowfalls as an historic snowfall and an historical storm.

In the storied (and some say fabled) history of our nation there has never been an historic event, nor has there ever been an historical event. Never. Not one. I can clearly remember reading about historic events in a history book—World War II, for example, and the wrecks of the Titanic and the Hindenburg, the solo flight across the Atlantic by Charles Lindbergh, and Sir Edmund Hillary’s ascent to the top of Mount Everest. I found all those historic events in a history book, but I have never found one in an history book.

If we insist on dropping the H  and saying an historic event, we should apply that rule to all words beginning with H—that would give us an Hoover for a vacuum cleaner, an Hoover for president, an harp for music, an heaven to which we should all aspire, and on and on, ad infinitum.

I realize that such terms as an herb and an herb garden are firmly entrenched in our English language, in spite of the fact that many distinguished speakers and writers refuse to deviate from the terms a herb and a herb garden. Two of those distinguished people immediately come to mind—both Martha Stewart and I refuse to say an herb—we are sticking to a herb. That’s not one of my neighbors—that is the Martha Stewart, a widely known decorator and gardener, and an accepted authority on everything, including herbs, herb gardens and stock market trades.

If both Martha Stewart and I refuse to drop the h in herb in order to use the an rather than the a, that should provide sufficient reason for everyone else to step out of the an line and into the a line—one only needs to take a teenie weenie baby step to move from an egregious wrong to a resounding right—a step from left to right, so to speak. On serious reflection, such a move would be beneficial in other venues, particularly in the political arena.

Folks in Great Britain speak English, albeit English that in a large measure has not kept pace with the times, has not evolved over time as has our use of English to communicate. English-speaking people in Great Britain tend to drop their aitches, particularly those speakers of cockney descent.

The following joke clearly illustrates that tendency (please forgive me for the joke, but I must use the tools that are available to me):

During World War II an American soldier was strolling on the beach with a lovely British girl he had just met. A strong breeze was blowing off the water and the girl’s skirt billowed up over her waist. This was wartime and many products, ladies undergarments for example, were in short supply, hence this lady wore nothing under her skirt. The soldier took a quick look, but not wanting to embarrass her, quickly looked away and exclaimed, “Wow, it’s really airy!”

The girl snapped back, “Well, wot the ‘ell did you expect? Chicken feathers?”

I realize that returning our population to the proper use of a and an is a task that far outstrips Hercules’ assignment to clean the Augean stables. In comparison with Hercules’ assignment to clean the stables in one day, this one will require a tremendous amount of shoveling. Had we two rivers adjacent to the stables as Hercules did, we could divert the  streams to and through the stables as he did, and thus clear up this problem of deciding whether a or an will precede words beginning with an H.

Alas, we do not have the two rivers available for our use, but we do have shovels. I will continue to wield my shovel as long as the misuse of a and an exists, but I sure could use some help!

Oh, just one more thought—the first objection to saying a herb rather than an herb usually involves and invokes the word hour. I readily agree that nobody ever says a hour—they always say an hour. I accept that, but I do not accept it as justification to say an herb. An hour is simply an exception to the rule, exceptions that all of us must recognize and accept.

That’s my story and I’m sticking to it.

 
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Posted by on February 10, 2010 in Gardening, grammar, Humor, proper english, wartime, Writing

 

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What I did on my summer vacation, by . . .

Does anyone remember the return to their classroom on the first day of school following the summer hiatus, a return to the unwilling pursuit of an education under the tutelage of teachers toiling at the elementary level? On that first day at my beloved school, every child in every grade (first through sixth) was privileged—nay, ordered—to stand in front of the blackboard, facing the class and disclose some or all of whatever they did on their summer vacation.

Some of my classmates stood stiffly throughout the delivery with arms held rigidly at their side. Others stood with hands in pockets or clasped behind their back, and in some limited cases, especially for the boys but occasionally for one of the girls, with hands covering their crotch, concealing that area of their anatomy. Whether that pose was an effort to divert from, or perhaps attract attention to that area, the “hands covering crotch” was limited by the teacher to a very few seconds, with the remonstration being made before the speech began and sometimes repeated during the presentation.

The title to each speech—the preamble, so to speak—was given rote and was identical for each student except for the name. My speech to my classmates began with this:

What I Did On My Summer Vacation, by (fill in first and last name)—as if the rest of the class didn’t know my name!

Everything that followed that ominous start was extemporaneous, a wandering recitation filled with numerous ands, uhs, thens, wells, ain’ts, mispronounced words, poor sentence constructions, conflicting subjects and objects, misuse of adverbs, long looks at one’s feet and even longer (and longing) stares through the classroom windows to the outside world.

Most errors were caught by the teacher, with the resultant corrections and reprimands. If anyone wonders how we got through the first day, just remember that we didn’t change classes during the day—our heinies were glued to our seats all day—we had more than enough time to finish.

A few of our What I Did speeches were mercifully terminated early by the teacher. A classic example of such action was the speech to which we all looked forward, that of a classmate known only by the initials W. A. It isn’t that I’ve forgotten his last name. I remember it well, but I must admit that, for some odd reason, I remember more names of girls than names of boys among my fellow students in elementary school—in fact, I am hard put to remember both given name and surname of any boy from those years (none other than W.A., of course).

W.A.—the boy and his name—is prominent in my memories of elementary school. A unique and very special person, I treasure his memory and could never forget him.

W.A. stuttered—not a slow, drawling stutter one would expect from a Mississippi stutterer but a staccato stutterer, a rapid-fire stutterer, one that soon had the entire class in tears, howling with laughter while our teacher faced away from the class with her gaze apparently fixed on something interesting outside the building.

Although she made no sounds while gazing, W.A.’s speech was apparently so effective that it made her tremble with pleasure—in fact it affected her composure so strongly that she invariably terminated his speech well before he finished. When she told him “That was very good, W.A., thank you,” W.A. always returned her thank you with his own, obviously heartfelt thank you, although it took awhile to return it. Once he got past the tee in thank, the you followed quickly and W.A. could then return to his seat.

We had ample opportunities to develop and perfect thespian skills in our elementary grades. In addition to individual performances in various holiday presentations such as Easter, Halloween, Independence Day and Christmas, we also appeared onstage as a group in the school auditorium, an area that daily doubled as our lunchroom. Each class went onstage en masse, and each student performed—each had a speech to give, a poem to recite, a song to sing, a story to tell, etc.

On a memorable day, perhaps the most memorable in the history of our school, the third grade students’ presentations began with a song by W.A., a heart-wrenching story  about a missing cat, one that was last seen running over hill and dale with a dog named Bowser in hot pursuit. Here is the first line of the song, a line that was repeated several times in the song’s chorus:

Has anybody seen my kitty, has anybody seen my cat?

Note the letters b, d, k and c (k sound) in the line—it should not be necessary for me to describe how difficult it was for W.A. to sing that song, but I will attempt to describe the audience’s reaction to the song, a reaction that included faculty, lunchroom employees, visiting friends and relatives and every enrolled student that was fortunate enough to have attended school on that day, including W.A.’s fellow classmates.

The laughter was thunderous, but the applause was even more thunderous, a standing ovation that began just before the conclusion of the song. And for those that may be disposed to criticize the reactions of the audience, we should remember that in those days, particularly in my part of the country, very few things were politically incorrect—actually, neither were there many things that were politically correct.

In order to wrap up this posting, I urge the viewer to understand that W.A. was, without question, one of the most popular students in our school. We mocked him but we also imitated him, not to belittle but to share with him even a small portion of the laughs he garnered and the popularity he enjoyed—because of  W.A. every kid in school could qualify as a stand-up comedian. And most important, W.A. was frequently surrounded by a bevy of cute girls. That’s a neat thing, regardless of their motives—like, who cares why?

I can never know whether he enjoyed his popularity or hated it, but in retrospect I suspect that W.A. tended to prolong his stuttering and perhaps even embellished and enhanced it—but I could be wrong.

W.A., if you happen to read this and you enjoyed your popularity, I’m happy for you. If you hated it, please accept my abject and heartfelt apologies. And if you are enrolled and performing in that brightly shining elementary school in the sky I say,

BREAK A LEG!

That’s my story and I’m sticking to it.

 

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Crabby old man . . .

I recently received this poem in an e-mail sent by a relative in Dallas. Whether true or false, it is a moving tribute to old age and a scathing criticism of how the elderly are perceived by many of us. I am posting it on my blog with the hope that its message reaches many others—and if it changes even one person’s attitude towards the elderly, the effort has been worthwhile.

This is the e-mail and the poem I received, but the poem has undergone many changes since landing in my mailbox. In its wandering around the internet it had collected many faults—missing and misplaced punctuation marks, misspelled words, lines out of sequence and many other problems that restricted a thorough understanding of the work. I feel that my modest efforts improved the message that the poem is intended to convey.

This is the story of the crabby old man, as told in the e-mail:

When an old man died in the geriatric ward of a nursing home in North Platte, Nebraska, it was believed that he had left nothing of any value. After his death the nurses were going through his meager possessions and found this poem. Its quality and content so impressed the staff that copies were made and distributed to every nurse in the hospital.

One nurse took her copy to Missouri. The old man’s poem, his sole bequest to posterity has since appeared in the Christmas edition of the News Magazine of the St. Louis Association for Mental Health. A slide presentation has also been made based on his simple but eloquent poem.

This “crabby old man,” with nothing else to give others on his departure from this world, has given the world he leaves his richness of thought—he is the author of this anonymous poem, now winging its way across the internet and into the homes and hearts of thousands, perhaps millions.

Crabby Old Man

What do you see, nurses? What do you see?

What are you thinking when you’re looking at me?

A crabby old man, not very wise,

Uncertain of habit with far away eyes?

Who dribbles his food and makes no reply,

When you say in a loud voice, ‘I do wish you’d try!’

Who seems not to notice the things that you do,

And forever is losing a sock or a shoe.

Who, resisting or not, lets you do as you will,

With bathing and feeding and the long day to fill.

Is that what you’re thinking? Is that what you see?

Then open your eyes, nurse, you’re not looking at me.

I’ll tell you who I am, as I sit here so still,

As I do at your bidding, as I eat at your will.

I’m a small child of ten, with a father and mother,

And brothers and sisters who love one another.

A young boy of sixteen with wings on his feet,

Dreaming that soon now a lover he’ll meet.

A groom soon at twenty, my heart gives a leap,

Remembering the vows that I promised to keep.

At twenty-five now, I have young of my own,

Who need me to guide them, and a secure happy home.

A man of thirty, my young now grown fast,

Bound to each other with ties that should last.

At forty my young sons have grown and are gone,

But my woman’s beside me to see I don’t mourn.

At fifty once more babies play ’round my knee,

Again we know children, my loved one and me.

Dark days are upon me, my wife now is dead.

I look at the future and shudder with dread,

For my young are all rearing young of their own,

And I think of the years, and the love that I’ve known.

I’m now an old man, and nature is cruel,

‘Tis jest to make old age look like a fool.

The body, it crumbles, grace and vigor depart,

There is now a stone where I once had a heart.

But inside this old carcass a young man still dwells,

And now and again my battered heart swells.

I remember the joys, I remember the pain,

And I’m loving and living life over again.

I think of the years, all too few, gone too fast,

And I accept the stark fact that nothing can last.

So open your eyes, people, open and see,

Not a crabby old man, look closer, see me!

Remember this poem when you next meet an older person, one that you might brush aside without looking at the young soul within.

We will all one day be there also!

The best and most beautiful things of this world can neither be seen nor touched.

They must be felt by the heart . . .

To determine whether the poem is truth or fiction, click on this Crabby old man.

 
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Posted by on February 10, 2010 in poetry

 

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