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Revisited: Analysis of a 17-year-old warrior

While wandering around in the bowels of my archived postings on WordPress, I found this brilliantly worded essay. On re-reading it I was so enthralled by the superior quality of the writing that I felt obliged to bring it out of the Stygian darkness of the archives and offer it up to newcomers to my blog, and to any long-time followers that may have overlooked it, whether by accident or through deliberation. It’s a good read, featuring bits of our nation’s history of lost wars and a self-analysis of one who was a participant—at the scene, so to speak, and qualified to discuss such activities. Click here to read about my arrival in the Far East.

Analysis of a 17-year-old warrior

As does virtually every family, mine has a shoe box filled with snapshots of family and friends spanning decades of living and loving and working, showing many of the places where we lived and worked and places where we went for recreational purposes. I recently found an old black-and-white photo of a certain 17-year-old warrior, a young lad that somehow made his way to Japan somewhere between the ages of 17 and 18 years, an age at which he should have been at home in Columbus, Mississippi enrolled in the eleventh grade at Stephen D. Lee High School, working at various part-time jobs, chasing girls and striving mightily to maintain a C-average.
I was intrigued by the differences between that lad then and the same person now, some 60 years later. I was captivated by the photo, taken sixty years ago in 1950 in front of temporary quarters in the city of Fukuoka on the Japanese island of Kyushu—so captivated that I decided to share it with my viewers.

I refer to this lad as a warrior based on the knowledge that during the summer of 1950, shortly after North Korea invaded South Korea, he was en route to Korea from Japan to help in our war to keep South Korea free from communism, and would continue in that effort for the next 15 months. Some nineteen years later he would be in Vietnam for thirteen months with a similar purpose—to help South Vietnam in its struggle against a takeover of the country by the Viet Cong, aided by North Vietnam regulars with help from Russia and China.

In both instances—the war in Korea and the one in Vietnam—he was unsuccessful, and his contributions were for naught. The Korean War ended in a truce that exists to this day, and the Vietnam War ended, for better or worse, in a united Vietnam—the communists won and we lost.

Examine the photo closely—have you ever seen a cockier, more in-your-face, more arrogant and defiant stance? This is a youth of seventeen, some six or seven inches over five feet tall, weighing 115 pounds with a 28-inch waist, dressed in regulation one-piece fatigue coveralls with a fatigue cap on top and un-shined GI brogans on the bottom. Either the cuffs of the coveralls are turned up or the coveralls are too short. The cap is pushed back rather than squared off, hands are in pockets, sleeves are partially rolled up, collar is turned up—a harbinger of the Elvis style to come, still some six years in the future. The first several buttons of the fatigues are unbuttoned revealing no undershirt and a really skinny unhairy chest. And most important, even at that tender age the lad is exhibiting a strong leaning to the right, a stance that incidentally exists to this day, and if it gets much more pronounced I—oops, I mean he—will be unable to stand up without falling.

I am fairly certain that any reader of this posting has already guessed that the lad in the photo is the same person that is writing this posting for his blog on Word Press—yes, I refer to my mother’s youngest son, The King of Texasthat lad is yours truly at the wizened age of seventeen.

My mother’s youngest son bears little resemblance to that 1950s figure, although he still leans to the right in any political stance, and rather than one-piece fatigues he putters around in sweats and house slippers at home and wears jeans, a pullover shirt and sneakers for occasions such as weddings, funerals, jury duty and similar formal events.

That’s my story and I’m sticking to it!

In the four months the original posting was available it garnered only one comment, and that one from a highly biased viewer:

That cocky in-your-face defiance is exactly the kind of guy I want going to war for this country! Thank you for serving with such gusto and guts.

By: sue on August 13, 2010

And this is the response to Sue’s comment by the author, also highly biased:

Hi, Sue, Bless yore little ol’ pea-picking heart. Do you remember Tennessee Ernie Ford and his radio show? Do you remember radio? You have made my day! (Note the exclamation points!) You have a way of reaching the core of any thought and any situation and encapsulating and expressing it in a thoroughly remarkable and memorable manner.

I wanted to use the gerund of capsule by adding “ing” but nothing looked right, not capsuleing or capsulling or capsulleing, and all three were rejected by my spell checker, so I took a path less traveled and used encapsulate, a word that happily accepted the “ing.” I haven’t given up yet. Capsule can be used as a verb and therefore has to have a gerund form—I just ain’t yet found it.

Thanks for visiting and thanks for the comment—y’all come back, ya’ hear!

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2 Comments

Posted by on January 5, 2011 in foreign travel, Military, wartime

 

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Analysis of a 17-year-old warrior . . .

Analysis of a 17-year-old warrior

As does virtually every family, mine has a shoebox filled with snapshots of family and friends spanning decades of living and loving and working, showing many of the places where we lived and worked and places where we went for recreational purposes. I recently found an old black-and-white photo of a certain 17-year old warrior, a young lad that somehow made his way to Japan somewhere between the ages of 17 and 18 years, an age at which he should have been at home in Columbus, Mississippi enrolled in the eleventh grade at Stephen D. Lee High School, working at various part-time jobs, chasing girls and striving mightily to maintain a C-average.

I was intrigued by the differences between that lad then and the same person now, some 60 years later. I was captivated by the photo, taken sixty years ago in 1950 in front of temporary quarters in the city of Fukuoka on the Japanese island of Kyushu—so captivated that I decided to share it with my viewers.

I refer to this lad as a warrior based on the knowledge that during the summer of 1950, shortly after North Korea invaded South Korea, he was en route to Korea from Japan to help in our war to keep South Korea free from communism, and would continue in that effort for the next 15 months. Some nineteen years later he would be in Vietnam for thirteen months with a similar purpose—to help South Vietnam in its struggle against a takeover of the country by the Viet Cong, aided by North Vietnam regulars with help from Russia and China.

In both instances—the war in Korea and the one in Vietnam—he was unsuccessful, and his contributions were for naught. The Korean War ended in a truce that exists to this day, and the Vietnam War ended, for better or worse, in a united Vietnam—the communists won and we lost.

Examine the photo closely—have you ever seen a cockier, more in-your-face, more arrogant and defiant stance? This is a youth of seventeen, some six or seven inches over five feet tall, weighing 115 pounds with a 28-inch waist, dressed in regulation one-piece fatigue coveralls with a fatigue cap on top and unshined GI brogans on the bottom. Either the cuffs of the coveralls are turned up or the coveralls are too short. The cap is pushed back rather than squared off, hands are in pockets, sleeves are partially rolled up, collar is turned up—a harbinger of the Elvis style to come, still some six years in the future. The first several buttons of the fatigues are unbuttoned revealing no undershirt and a really skinny unhairy chest. And most important, even at that tender age the lad is exhibiting a strong leaning to the right, a stance that incidentally exists to this day, and if gets much more pronounced I—oops, I mean he—will be unable to stand up without falling.

I am fairly certain that any reader of this posting has already guessed that the lad in the photo is the same person that is writing this posting for his blog on Word Press—yes, I refer to my mother’s youngest son, The King of Texasthat lad is yours truly at the wizened age of seventeen.

My mother’s youngest son bears little resemblance to that 1950s figure, although he still leans to the right in any political stance, and rather than one-piece fatigues he putters around in sweats and house slippers at home and wears jeans, a pullover shirt and sneakers for occasions such as weddings, funerals, jury duty and similar formal events.

That’s my story and I’m sticking to it!

 

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Royal reflections on a wedding . . .

The purpose of this posting is to formally offer my congratulations—somewhat belated—to my daughter Cindy and her husband Michael on their conversion, during my reign, of some 19 years of conjugal bliss to the status of a lawfully wedded couple under the auspices of the Great State of Texas, and to thank the many family members and friends that gathered for their wedding at a lakeside home in a rural province near San Antonio, Texas (the city of Seguin) in October of 2009. My expression of thanks is also somewhat belated—hey, being the King of Texas is not an easy job—I’m sure you’ve all heard the expression, Uneasy lies the head that wears the crown!

Check out my Royal Reflections here:

https://thekingoftexas.wordpress.com/about/

Beautiful photos and a cogent analysis of details—intelligent even—of the wedding may be found at:

http://cindyandmichael.wordpress.com/ (Come on, join the party—a trip to Seguin is well worth your while).

And you owe it to yourselves to view and enjoy some of the world’s finest photography here:

http://cindydyer.wordpress.com/

A letter to my daughter

Dear Cindy,

I have never seen, nor do I expect to see in the future, a more beautiful assemblage of people than those you brought together for your wedding, regardless of the venue. The beauty of that event—the families of the bride and groom, their guests and their families and the many unrelated friends that came from far and wide to honor the event—has no parallel, at least not for me, and not at this point in my lifetime of memories.

A parallel may appear at some time in the future, but I doubt it. In my learned opinion the assemblage of people at your wedding ranks right up there—nay, surpasses—that of Hollywood’s Academy Awards, the Cannes film festival, the Country Music Awards, People magazine’s Most Beautiful People issue, and any other ranking of beautiful people that may exist.

For the benefit of any doubters that may find their way to this posting, I hasten to add that beauty, as applied to people, begins internally—it comes from the inner being and appears to others as a mirrored reflection of one’s soul (dang, I love it when I talk like that!).

As for Photoshop’s contribution to the event, I give it a total of one percent with the remaining 99 percent attributed to the talents and superhuman work you and Michael and others expended to make your wedding a success. Had I worn a vest, I would probably take that one percent contribution away from Photoshop and give you the full one hundred percent.

Your wedding gathering was—and in memories and printed images still is—a wondrous assemblage of a royal family and others. It showcases the bride and groom, the king and queen, the royal minister and his wife, the royal family’s members including our princesses and princes and their families, the bride groom’s family, and other friends and families from near and far, both in time and distance.


The assemblage included court jesters and noble knights, lovely and loving couples, cruel temptresses and impossible loves. I won’t linger on the cruel temptresses and impossible loves, but you can be assured that such may have been present—they can be found in any significant gathering of people, beautiful and otherwise.

I used the term assemblage because its definition best describes your wedding. I only added the term event to a machine or object: Assemblage: a machine or object or event made of pieces fitted together, as in a vast assemblage of gears and cogs, a work of art made by grouping found or unrelated objects—the action of gathering or fitting things together. The phrase a work of art says it all—that definition satisfies the most exacting critic of all—the King of Texas!

That’s my story and I’m sticking to it!

 

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