Tag Archives: photographer

Rabbits speak Arabbitian . . .

The second born of my three princesses, the one that lives, loves and works in Alexandria, Virginia recently posted a series of photos of an animal that was grazing early one evening in the common area behind her townhouse. In her narrative she says the animal was in the company of a robin and two squirrels—I suspect that was a meeting of WANNA, her neighborhood’s local chapter of the national Wild Animal Northern Neighborhood Association, an organization that was formed to ensure and protect the rights of neighborhood animals, both wild and domestic—sister national chapters are WASNA, WAENA and WAWNA denoting chapters in the southern, eastern and western sections of the United States.

Her neighborhood has a similar association for humans—my daughter and her husband were active in that association for a considerable time, but finally withdrew their support because of the constant conflict created by board members.

Click here for her original posting. These are her photos, and her narrative introduction follows:

I was scrounging around the refrigerator earlier this evening, hunting for something interesting to eat for dinner. I glanced out the window and saw this large rabbit (about the size of a normal-sized cat, actually!) grazing in the grass on the common area strip in front of our townhouse, alongside two squirrels and a robin. He was out earlier than I normally see them in the neighborhood (still daylight at about 7 p.m.). I grabbed my camera with a 105mm lens and ran outside, slowly approaching him. He let me get within five or six feet of him before slowly turning away, and even then he didn’t go very far. I was able to fire off almost 20 shots—these are the cream of the crop.

I was intrigued by the photos so I did a bit of research on rabbits, specifically on the differences between rabbits and hares. I learned that hares have longer ears, longer legs, bigger feet and prefer to live above ground. I learned that hares have black markings in their fur, and those that live in northern climes turn white in winter, a protective measure provided by nature to make them less vulnerable to predators. And finally I learned that one female rabbit can conceivably, so to speak, birth as many as 36 babies each year—at that rate my daughter may soon be up to her uh-huh in rabbits. The results of my research were inconclusive—the animal in the photos may or may not be a rabbit, and conversely it may or may not be a hare.

I made a rather lengthy comment on her posting, but before I bring that into this posting I will share a comment I found during my research. I would credit the writer but I could not identify a name, e-mail, blog post, etc. I found it hilarious—enjoy!

This was very helpful in settling a trivia question with a friend. However, it has also exposed a very ugly and troubling issue. Now that we know a “bunny” is specifically defined as an immature “rabbit,” this can only mean that employing the “Easter Bunny” to deliver swag baskets and hide eggs on Easter Eve violates a whole host of state, federal, and UN Child Labor Laws. Inexcusable child exploitation! This means there is no difference between our traditional Easter festivities and an El Salvadoran sweat shop full of hungry orphans making Nikes. We are just lucky we haven’t been caught yet. The only solution is to quietly change the job description to “Easter Rabbit,” purge all history books and greeting cards of incriminating “bunny” references, and never speak of this again. Furthermore, to ensure political correctness, diversity, and ethnic inclusiveness, in alternate years the contract for Easter Eve responsibilities must be awarded to the “Easter Hare.”

I mean, like, hey, is that funny or what!

The real reason for this posting was to share my comment on my daughter’s rabbit photos with other bloggers, and finally this is it, exactly as posted:


This is a great series of shots, no matter how domesticated or how wild this animal may be. Evidently this one is accustomed to posing—or perhaps it’s because of your facility in foreign languages. I know that you have accumulated a working knowledge of Spanish, but when and where did you learn to speak the language of rabbits?

And don’t bother to deny it—only with a working proficiency in the rabbit’s language could you have recorded these poses.

I realize that in your case I am preaching to the choir, but perhaps a brief (?) briefing of rabbit language and poses will be of some benefit to your blog visitors, so I’ll be brief—as always.

Rabbits speak Arabbitian, a language that originated in ancient—prebiblical—Arabia and for thousands of years was restricted to rabbits. Very few humans have mastered the language—obviously you are one of those rare exceptions. The others are photographers, mostly, with just a smattering of hunters. That’s because the IQ of most hunters is severely limited and cannot handle the intricacies of the language.

Arabbitian is pronounced air-ruh-be-she-un with the accent on be, the center syllable. Every rabbit world-wide speaks the same language—they are fluent in it from the moment of birth—it’s innate in their DNA.

There are different dialects, of course, just as there are in other languages, particularly in English. Very few natives of the deep South can follow the staccato speech of a Yankee speaker, and conversely southern speakers—Mississippians, for example, especially Mississippi girls—speak so slowly that the listener has ample time to refer to a dictionary for clarification on pronunciation and definition.

I’m sure you’ve heard about the southern girl and her Yankee date. They were parked on Lover’s Lane and the boy, as boys are wont to do, posed a question to her involving a certain activity, and before she could tell him that she had never done that—she had.

And that was not an isolated incident—it’s happened countless times and will happen countless more times, happily, perhaps, for both participants. Some day a brilliant dialectologist may develop a system to speed up the word production of southern girls, but that’s doubtful, so in such instances they will continue to produce—so to speak.

I knew you could speak Arabbitian when I saw the sequence of poses presented by the rabbit. A rabbit—any rabbit, regardless of its origin, will only offer five poses to a viewer—rabbits will pose at a 45-degree angle facing the viewer facing slightly to the right or to the left, at full side view facing right, a full side view facing left, and a backside view with its backside rapidly shrinking into the distance, because the only time a rabbit would turn his back on someone is to run away.

The one pose a rabbit will never assume, not even for a centerfold spread in PlayGirlBunny or PentBurrowBunny—that pose is one of facing a viewer squarely to the front. Rabbits will readily present a rear view, but it will be a fast-disappearing view as discussed earlier.

These restrictions rabbits place on photographers’ photo shoots is for a good reason. Rabbits’ eyes, as are those of most herbivorous animals, are placed on opposite sides of their head and each eye rotates in its socket independently of the other eye, enabling the rabbit to spot danger in a circle approaching a full 360 degrees, except directly ahead or directly behind. Contrast the herbivorous animal with the carnivorous animal. All carnivores are predators, and in most circumstances have no fear of what may be outside their field of vision—their eyes are fixed on their prey.

And as an afterthought, one should never crop a rabbit’s ears as many well-meaning owners do with show rabbits or with pet rabbits. Rabbits’ ears also rotate in opposite directions in order to detect sounds coming from all directions and thus perhaps avoid becoming dinner for a carnivore, whether the carnivore is bird or cat or photographer. Crop a rabbit’s ears and if it gets away or is turned loose in the wild, it cannot effectively pinpoint the source of danger and will become road kill or dinner for a carnivore, either human or animal.

There—I was not as brief as I hoped to be, but apparently I had a lot to say—so I said it.

Great photography—keep up the good work.


Posted by on June 4, 2010 in Uncategorized


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Bus driver, or cowboy . . .

Preamble: A preliminary statement, especially the introduction to a formal document that serves to explain its purpose.

A preamble is normally written before a document—I’m adding this preamble after I posted the document below. My daughter, the one that lives, loves and works in Northern Virginia, the one that I love best, but don’t tell the other two daughters I said that—tasked me with answering several questions concerning the person in this photo. In the interests of levity, I assumed the character of a criminal investigator in analyzing the photo in response to my daughter’s request. I identified her merely as a relative in Virginia, and she took umbrage—this addition to the posting is my attempt to correct my blunder.  And in the interests of full disclosure, I am not now, nor have I ever been, nor will I ever be a criminal investigator, not in Washington DC or any other location. I merely presented myself as such in order to bolster my analysis of the photo.

The photo is an accurate depiction of my mother’s youngest son—me—and virtually all of the information I posted is true. The only time I seriously strayed from the truth was the part about  studying photos from various high school yearbooks while working in the Washington DC area—I freely admit that it was a real whopper! However, that I worked in that area for three years is a true statement—so help me, you know Who.

Here is the original posting, unchanged. The only difference is the addition of the preamble above—my search for an antonym to preamble was fruitless. I suppose we could call it a postamblewe could run that term up the flagpole and see who salutes it!

I recently received this photo from a relative in Virginia, accompanied with a request for me to apply the training I received over many years in the field of law enforcement and answer as many of the questions below as I could, with the answers based on the expertise I acquired—expertise in the use of observational techniques and in the questioning routines I used in conversations with subjects suspected of various crimes.

These are the questions:

Tell me something about this fella—-where he was mentally and physically at this time…How old was he? What was he was thinking about? What aspirations did he have?  He looks so pensive and serious. What was he dreaming about?

It was an unusual request, but it posed a challenge for me. There are, of course, more visual and physical traits to be observed when faced with the actual suspect, but some definitive conclusions can be reached simply by studying a photograph.

This young man, for example, has an exceptionally well-formed head with an Adonis-like visage. Each feature—eyes, ears, nose, mouth, cheekbones and chin—are in perfect harmony with the other features. Any observer would view him as a handsome young lad, undoubtedly popular with the girls and envied by his male peers. That beautifully coiffed hair places the boy in the company of Narcissus, and at this age the lad undoubtedly spent lots of time looking into a mirror. Narcissus, of course, fell in love with a reflection in a pool, not realizing it was his own. The photograph reflects no doubt—this young fellow knows exactly what he sees in the mirror and he is well-pleased with the image, a pleasure bordering on self-adulation.

Whether this teenager ever enjoyed any significant contacts with the opposite sex based on his looks would be pure speculation, and an investigator never, ever speculates—any investigative conclusions must be based on demonstrable facts.

Some conclusions may instantly be made—the photo is that of a young boy, perhaps in his early to middle teen years—he is white, Anglo-Saxon, with perhaps a bit of the old Irish in him. His age is  somewhere between fourteen and fifteen years. He has a delightful sprinkling of freckles, indicating that most of his years have been spent in sunny southern climes in a state, or states, well below the Mason-Dixon line. The hair style is representative of those affected by youths in the middle to late 1940s. I believe this photo was taken in late 1946 or early in 1947.

The source of the photo can often be helpful. One can deduce that the photo is not the work of a professional portrait studio. If it were, it would show the company’s name and logo near the lower edge—Olan Mills, for example. By an unusual coincidence, I worked in the Washington, D.C. area for three years, and on an unrelated assignment I studied student photos in the yearbooks of  several schools in the DC area—although some 13 years have passed since the assignment, I still vividly remember the photos.

This photo, judging by the pose of the subject and the clarity of the portrait, matches very closely the attributes of yearbook photos taken of students at Suitland High School in the city of Suitland, Maryland—the photo in question was published in that school’s year book for the period cited.

An astute observer will instantly be drawn to the left eye—it’s ever so slightly squinted, caused by a deliberate but subtle lowering of the eye’s upper lid. No definite conclusions can be drawn from that squint, but  here are some possible causes:

It could be that the photographer is an attractive young female, and her subject is speculating on his chances of getting it on with her, a term similar with today’s term of making out. It could be that the photographer is a school staff member, one for which the subject has no particular fondness—the squint could be saying, “Don’t screw it up—either do it right, or don’t do it!”

That squint is, perhaps, in imitation of some Hollywood actor favored by the subject, and is thus used in such situations. I must confess that I use it, but infrequently, and I believe that one of my own three offspring also utilizes the squint as needed in certain situations.

This unusual and interesting habit of squinting one eye is sometimes reflected in a person or persons closely associated with the squinter—a brother or sister, or a relative of the squinter, perhaps a daughter or son—daughters and sons sometimes tend to imitate one or more habitual physical traits exhibited by their father.

That squinted left eye leaves me with the thought that this lad did, for one reason or another, not complete the current school year at this high school. He probably dropped out of class near the end of the second semester. His failure to complete the year may have been caused by having to relocate in a distant city, or because he converted his thoughts concerning the photographer into action, or perhaps he broke his leg while playing in an American Legion Little League baseball game, or for some other completely unrelated reason.

As for this lad’s aspirations for the future, that’s very difficult to discern. My best guess is that his aspirations at that time were similar to those of Jethro, of Beverly Hillbillies fame—Jethro vacillated between becoming a brain surgeon or a short-order cook.

I believe this lad, at this time in his life, vacillated between becoming an old-time cowboy, broad of shoulder and tall—yeah, good luck with that—and lean of hip, with steely gray eyes perpetually squinted from checking the horizon for Indians and badmen—either that, or a bus driver.

Of course I could be wrong.


Posted by on February 19, 2010 in actor and acting, Humor, PHOTOGRAPHY, sports, Writing


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